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Festival gives filmmakers networking opportunities

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  • By Betty Francis
    Special to The Desert Sun
    September 5th, 2004


    While the Palm Springs International Festival of Short Films may seem like just another great entertainment activity for locals, it’s also a business event for up-and-coming filmmakers.

    And the business in which they’re engaged today and Monday is the art of the schmooze.

    The festival is set up to provide networking opportunities in its marketplaces in the Camelot Theatres and the Palm Springs Mall, where film industry buyers, producers and film festival directors can view more than 2,000 films on monitors and provide one-on-one discussion opportunities for filmmakers.

    But savvy filmmakers use social gatherings and bump-intos to button-hole distributors, schmooze with producers and make networking contacts to further their careers. Armed with a brief case full of business cards, movie handbills and winning smiles, they descend upon the many festival events and parties that put them within stroking distance of the power brokers. Many have feature screenplays handy in case a contact looks particularly promising.

    The most enterprising filmmakers throw their own parties. Seth Kenlon and Arayna Thomas, makers of "The Nothing Plane," threw a party on the eve of their Saturday screening with free food and "happy hour-prices" on drinks at La Casita in Palm Springs. They have a local home, so they were able to invite local media and videographer Emcye Edwards, who is making a documentary on the Palm Springs International Film Festival, in addition to industry people they knew.

    The director and producers of "Ariana" came from the East and threw a post-screening party for their film in the Palm Springs Hilton Resort Saturday night. The star and executive producer, Shashi Balooja, may not have known the local media, but he managed to find The Desert Sun building to personally deliver a press kit.

    Other filmmakers found the industry people at festival-sponsored parties. A young Australian director, Berry Liberman, needed only to flash her wide smile to make friends with programmer/promoter Andrew P. Crane of American Cinemateque at the opening night party at Las Casuelas Terraza. He promised to view her Jewish-themed film, "Brothers," the next day.

    Two filmmaking sisters from Australia, Janine Burchett and Cherie Knott, moved in tandem at that party. They usually stick together and double team industry contacts, they said, splitting the sales pitch for their film "Gabriel," which was shown Saturday night.

    Their strategy contrasted from Kenlon and Thomas. Thomas said they work different areas of a party, trying to zero in on specific people they want to meet.

    "It works for us," she said. "We’ve been showing at festivals for over three years and have had countless payoffs from the contacts we make."

    One of the "targets" filmmakers love to spot is local short-film distributor David Russell. A long-time participant in the festival, Russell said he hopes to be negotiating for 25 to 30 films by the time the festival ends.

    His company, Big Film Shorts, sells short films worldwide to markets including theaters, TV, DVDs, airlines and the Internet.

    "The biggest, newest emerging market is cell phones," he said. It’s the next evolution from text messaging. Waiting for someone? Flip open your phone and watch a 10-minute movie.

    The festival prepares a market catalogue listing the producers and distributors of every film, and hundreds are distributed through the marketplace. But Thomas said they could be improved to make networking even easier.

    "I wish this festival would publish a market guide (like the one) at the Cannes festival, with pictures and titles of everyone attending," she said. "It makes it so much easier to spot your target in a crowd."

    Betty Francis is a Coachella Valley-based freelance writer. She can be reached at 341-4080 or e-mail Becha1@aol.com. Bruce Fessier contributed to this story


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